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Solo Set @ Holo

November 9, 2017 @ 8:00 pm - 11:55 pm

Really cool bill at Holo Nov 9






Lucie Vítková: The NYC Constellation Ensemble, I started to organize when coming to New York in February 2016. I invite 60 different musicians, artists, composers, philosophers and poets to gather and play on a regular base, meeting every Friday in my living room. Because of New York´s fast rhythm and busy schedules, I get different smaller group of people every week. The members are fluctuating according to their free time and we have core members as well as people just passing by. The music developed out of common experience of equally shared space, when keeping the relationships peaceful. We will play in November with a Constellation of:
Lucie Vítková – accordion, hichiriki, synthesizer, objects
Carolyn Hietter – saxophone
Stevie May – trombone
Alessandra Urso – sho
Zak Hap – sho
Vered Engelhard – percussion
Sydney Viles – theremin
Mario Forte – violin
Ezra Teboul – electronics
Weitao Zhou – shakuhachi

Composer, performer and improviser Philip White works with electronics at the intersection of noise, jazz and contemporary concert music. In addition to his solo work current projects include R WE WHO R WE (with Ted Hearne), duos with Chris Pitsiokos, Bob Bellerue, Taylor Levine, Paula Matthusen and cross media collaborations with Jim Findlay, Ralph Lemon, Jimena Paz, Daniel Fish, Nora Chipaumire and Urban Bush Women. Recent presentations of his work have taken place at Carnegie Hall, BAM Harvey Theater (Brooklyn), Fylkingen (Stockholm), American Academy in Rome, ISSUE Project Room (NYC) and countless other venues nationally and internationally. His music has been released on Carrier Records, New Focus Recordings, Infrequent Seams and Tape Drift Records. It has been described as “utterly gripping” (Time Out Chicago), “bona fide evocative music” (Brooklyn Rail), and a “vibrant textural tapestry” (Wall Street Journal).

Ryan Shreves and Spencer Friedman are an improvising duo utilizing electric guitar and sampled audio. Drawing upon musical traditions ranging from musique concrete to free improvisation, and employing elements of timbre, electronics, and melodic experimentation.

Tamio Shiraishi:
late 1970’s : start performing music in public. collaborate with various musicians (including Keiji Haino) at the club “minor” in Kichijoji, Tokyo.
1980’s : participate performances of “Homo-Fictus” (dramatic company), perform with butoh dancers,,,,
1990 : move to USA. perform with various musicians at various place like “abc no rio” in NY.
1992 : move to Tokyo. often perform at Shinjuku-Nishiguchi station square (on the street).
1994 : move to NY. perform with various musicians including “CrashWorship” and many more.
2008 : start performing at subway stations in NY (still continuing)
now perform with various artists(mostly musician but also performance artists) in NY..